FilmEmulsion

FilmEmulsion isn't another LUT slider. Under the hood every film stock describes the three coupled emulsion layers — cyan, magenta and yellow dyes — that turn light into the iconic look you remember. We expose those layers so you can recreate the slow shift toward yellow that an undeveloped roll suffers after a decade in a desk drawer, or push the cyan shadows of a cross-processed Agfa Precisa until they sing. Start from one of sixteen carefully tuned recipes, then take ownership of every channel: tone, contrast, grain size, vignette, halation, the angle and color of a light leak. The split-view lets you see exactly how far you've travelled from the original digital frame. Grain is sampled at output resolution so an iPhone export and an A3 print both keep the same perceived texture — no over- or under-baked stipple at the wrong scale.