Sequentia: MIDI Sequencer Apple

Sequentia: MIDI Sequencer

Generate riffs, chords & drums

Overview

Rating:
4.70
(10)
Version:
4.0
Last updated: 2026-09-02
Ranking
#328,425 ▼ 493
Overall

Features & Capabilities

Sequentia is on iPad. The rack as a grid of cards, menus from the right, and iCloud so a track you start on the phone opens on the tablet with everything it needs.

Sequentia is a generative MIDI sequencer for synths, drum machines and modular.

Add a module and it writes its own part: drums, basslines, arps, chords, melodies. Press Random and a full pattern is playing. Turn on Mutate and it keeps evolving while it runs. The pattern libraries are written for techno and acid, and the generative modules go further out than that. Seven finished demo tracks come with the app, to open and take apart.

WHAT WRITES THE PARTS Drums, eight lanes, with the swing each genre actually has. Bass, sixteen styles from techno to dub to EBM. Acid, 303 lines that really slide. Chords and Arp, in your key, following each other. Stabs, from skank to rave. Piano, drawn by hand or written for you. Euclid, three rings at different lengths, drifting apart and landing together bars later. Rain, notes falling from a drizzle to a downpour. Bounce, physics balls playing your key off the walls. Sampler, your own loop, warped to the tempo and the key. Mod, LFOs that sweep your synth's knobs on their own. Vinyl, a record that turns while the rack plays. Mixer, to solo, mute and balance live.

ONE STUDIO, YOUR WHOLE RIG Every module picks its own MIDI device and channel, so each machine gets its own part. MIDI over USB-C, Bluetooth or network. MIDI Clock keeps the gear in time. In Logic, Ableton and any other DAW the app is a MIDI source you can record straight onto a track. Leave the app and the music keeps playing, with the controls on your Lock Screen.

MODULATE AND CONTROL YOUR HARDWARE Pick your machine from the library and its control map loads, ready to turn: over a hundred and thirty synths, grooveboxes and drum machines, every map read out of its own manual. Put an LFO on any of those knobs and it sweeps in time with the pattern. Arm the red R, turn a knob by hand, and the move becomes a loop locked to the bar. CC coming in works too, so a controller fires Random, Mutate, mutes and the transport.

LIVE JAM Every module keeps pattern slots. Fill them as you go and switch on the bar, like clips. Live Performer is one pad for the whole rack: move a finger and every module answers at once with more density, new variations or a break. Fills, swing and humanize are a tap each, while everything runs.

SCENES, AND A SET YOU CAN PLAY Save a section as a scene, put the scenes in order, and the timeline plays the set. Or switch scenes by hand while it runs. A project holds several racks, each with its own key and tempo, so a breakdown can sit lower and slower than the drop.

ONE PROGRESSION, EVERYTHING FOLLOWS Write the chords once. The basslines, arps and stabs follow the changes.

NO HARDWARE YET Every module plays through the app's own synth, free, so a whole track works with nothing attached. Load your own samples into the Sampler, or build a drum kit out of them.

EVERYTHING IN ONE PROJECT Notes, patterns, scenes, samples, routing and arrangement live in one project that saves itself. Take the whole thing out in one step: the rack as MIDI, or every scene as its own folder, named so the session opens in your DAW making sense. Samples come with it if you want them.

ON IPHONE AND IPAD One app for both. On the tablet the rack becomes a grid of cards you page through, three across on a 13 inch. Menus come in from the right and leave the instrument where it is. Open a module and it steps into the middle of the screen with its settings beside it. Landscape, for a stand and two hands.

Turn iCloud on and the same projects, presets and samples are on both devices, in a Sequentia folder you can see in Files. Off until you switch it on.

Sequentia is free, and so is the built in sound, Live Performer and CC Control. Sequentia Pro adds pattern slots, scenes, several racks, every drum style, your own libraries, unlimited projects and MIDI export.

Terms of Use (EULA): https://www.apple.com/legal/internet-services/itunes/dev/stdeula/ Privacy Policy: https://www.sequentia.studio/privacy

User Growth & Download Statistics

App
By:
Yahor Kamarou
Rating:
4.70
(10)
Version:
4.0 Last updated: 2026-09-02
Version code:
890688628
Creation date:
2026-07-01
Compatible devices:
Size:
21.38MB
URLs:
Website ,Privacy policy
Full description:
See detailed description
Source:
Apple Apps Store
Data ingested on:
2026-09-20
Compare stats and ranking:

Contact the developer

Chrome-Stats does not own this Apple app. Please use these information below to contact the Apple app developer.
Developed by:
Yahor Kamarou
Apple Apps Store
https://apps.apple.com/us/app/sequentia-midi-sequencer/id6781016888
Website:
https://www.sequentia.studio

User Reviews

It has a nice design layout, good sounds and is fun to play around with. But the pricing for a license to run this app is horrible. $80 to avoid paying a subscription fee? Disappointing.
by Mo*****, 2026-09-06

An impressive new app. If you want a streamlined tool for live jamming and sequencing external gear (drum machines, synths), particularly for electronic music, you need to try this out. I was shopping for a more powerful hardware sequencer. For the time being, not anymore! One difficulty with using sequencers is that you need a good balance between usability and depth. Too technical and deep and you get stuck in programming stages and experiments. Too superficial and you end up with the same bloopy sequences or beats again and again. Here you can quickly find a key, lay down one or two types of sequences (e.g. acid line, general bass, or stabs, basic euclidian) and then randomize, create quick variants, and apply various mutations. Even better: you can work out sequences on phone (and now ipad) with stock sounds to use later once you’re back working with hardware. All of these features push you towards making music. For example, you can’t edit the stock sounds and the core sequence types are deliberately constrained (e.g. a single euclidian sequencer has three pulses at a time). I’ve used the app quite a bit in the last week and have found a couple minor bugs, usability issues, and had a couple of ideas for development. Possible bugs: Sometimes stabs pitch up and down an octave when you enter them or randomize. It’s not always clear why. The visual representation has also been inconsistent on them sometimes. I also love the new iPad release generally (was using phone version on iPad) but I’ve noticed if I add variations (which introduces a new bottom row to the rack card) the display cuts the very top and bottom off of the display. Still perfectly usable, but might benefit from being longer. Usability: I like the ‘halo’ gradient effect when you touch the screen and make selections. It works well on the dark versions of the app. However, on the light versions, the halo obscures the display enough that it can be difficult to navigate some options. Ideas for development: I much appreciate the minimal approach and like the choice to avoid too much customization. Suggestion 1: I would love to be able to offset the start of a sample (e.g. to start a bar or two into the sequence). Suggestion 2: in the chord sequence, I would appreciate the option to select ‘silence’ or ‘no chord’ for a section of the sequence. This would allow for sequences with breaks. Thanks for your work on this, keep it up!
by Al*****, 2026-09-05
View all user reviews ›

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