Subtext: Run Lines & Self-Tape

The whole job in one app. Run lines with lifelike voices. A real human reader for the tape. Shoot it, cut it, send one link. Then book it and mark up the whole script.

Run lines out loud with a scene partner that waits for you. Put a real human reader on your self-tape. Shoot it, cut it, send casting one link. Then book it, and bring the whole script with you.

Built by a working actor for the way the job actually goes: from the sides in your inbox to the set.

RUN LINES WITH A SCENE PARTNER Drop in your sides, or scan the paper ones. Tap your character and every line lights up. Real voices play every other part, wait for you to speak, and pick up when you're done. Cue only, hide your lines, get a hint when you go up. Stage directions and cut-off lines stay in, so it runs like a scene, not a flashcard deck.

MEMORIZE LINES FASTER Hide, hint, repeat. Subtext listens for your line and only moves on once you've said it. Off book without a friend, a Zoom, or Voice Memos.

A REAL HUMAN READER, WHENEVER YOU NEED ONE Text a friend a link. They open it in their browser, nothing to install, and record the other lines once, whenever suits them. Their real voice is on every rehearsal and every take, at two in the morning if that's when you're shooting. Ask once. Record once. Run it fifty times.

SELF-TAPE STUDIO Shoot from the script you were already rehearsing, with a teleprompter that follows your voice. Add your slate. Then cut it in an editor made only for self-tapes: pick takes, trim the heads and tails, add transitions, clean up the sound. Have an iPad too? iPhone films while the iPad prompts and cuts.

SEND ONE LINK Subtext compresses the tape to the size casting wants, hosts it, and hands you one short link. Casting or your agent presses play or download. Nothing to upload. Nothing too big to email.

MARK UP THE WHOLE SCRIPT When you book it, the sides become a script. Highlight every character you're playing instantly. Tabs for the scenes you keep going back to. Notes that don't cover the page. Highlighter, underline, Apple Pencil. When production sends a revision, drop it in: your markings come with you, plus a summary of what changed and how it affects you.

SCRIPT ANALYSIS A clear summary of what you're playing, then ask it anything about the story, the scene, your character. It knows when it's only holding sides and says so rather than inventing.

TABLE READ Press play and hear the entire script performed in real voices, action lines included. On the train, on the walk, wherever.

VOICEOVER Record voiceovers scene by scene, straight off the script. Studio-clean sound with no knobs to learn. Export to MP3.

WHERE WE STAND The voices are for rehearsal. A synthetic voice will never end up on your finished self-tape, at any tier. When it counts, a person reads with you. Your scripts and your voice are never used to train any model.

THE WHOLE JOB. ONE APP. Your first two scripts are free, every feature unlocked, no card. One membership covers all of it, synced across iPhone and iPad.

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SUBSCRIPTION

Your first two scripts are free. Unlimited access is available through an auto-renewing subscription.

Payment is charged to your Apple Account at confirmation of purchase. Your subscription renews automatically at the same price unless canceled at least 24 hours before the end of the current period; your account is charged within 24 hours prior to the end of the period. Manage or cancel anytime in your Apple Account settings.

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