Laney - Digbeth Bass Plugin

Digital recreation of the 500 watt Laney bass head and 10 powerful processing sections.

Laney Digbeth A widely-known, acclaimed FET/Tube bass amp for modern players looking for vintage sound.

What’s inside

• Stomp section with 4 pedals with adjustable processing order.
• Cab section with 3 Laney cabs and an array of mic options.
• Output section with full 10-band graphic EQ and a limiter.
• Full parallel processing with adjustable section order.
• FX section (EQ, maximizer, and 2 limiters).
• FET / TUBE preamp channels (mixable).
• Bass dynamics section with sidechain.
• 3-band EQ with 4 mid-band modes.
• Mammoth processing section.

Stomp Section Three pedals from Black Country Customs:

• The 85 Bass-interval a bass octave pedal with two parallel octaver modes.
• The Custard Factory bass compressor pedal with three modes.
• Blackheath distortion pedal with 2 distortion modes and an overdrive. Fourth pedal is addition from Aurora DSP:
• Gamma Burst Bass-tortion three channels of drive with various characters.

The Amp Digital recreation of the legendary 500 watt Digbeth bass head, with all its features:

• FET / TUBE preamp channels with option to mix both of them.
• 3-band EQ with 4 mid-band modes for different characteristics.
• TILT "EQ Seesaw" knob for an all-around tonal adjustment.

Cab section

• Four mics to choose from, for diverse tonal characters.
• Tone mixer for sound shaping and balancing.
• External IR loader.
• Three powerful and dynamic Laney cab models: 
-DBV212-4 
-DBV410-4 
-DBV810-4

FX rack Signal chain designed specifically for bass guitars, combining top-tier analog modeling and digital processing to deliver a powerful, punchy, and refined bass sound. This rack is built with the following iconic modules:

• 10-band EQ A classic graphic EQ, with 10 bands of +/- 12dB gain, proportional Q and VU meters. Enhanced with an additional drive module for vintage saturation.
• Sonic optimizer An advanced signal processor for adjusting the character of the sound. Useful for improving the low-end definition, adding some high-end clarity, as well as adjusting the overall feel.
• Limiting amplifier Based on a legendary FET compressor/limiter known for its fast attack times and transparent compression widely used in studios for bass to achieve punchy and smooth dynamics.
• Leveling amplifier Modeled after an optical tube-based compressor with a warm, smooth character. With a slow attack and release, it's a favorite for bass processing, due to its natural-sounding compression.

BASS DYNAMICS

• An adjustable compressor with a filtered sidechain.
• "Placement" options for fitting the low-end better into the mix.

IN

• Crossover with 3 different modes and adjustable frequency (and an option to disable parallel processing completely).
• Low-cut and high-cut filtering.

OUT

• Bass/Treble mixer for controlling the levels after the parallel processing.
• Slam limiter for final dynamics adjustments.
• Full 10-band graphic EQ.

Additional features:

• Noise gate
• Tuner
• Metronome
• Built-in recorder for capturing riffs
• Cross-platform preset sharing
• Studio environment mode for headphones with control room simulation

Available in AUv3 and standalone