Features & Capabilities

Poly 2 is a generative sequencer that creates evolving melodies and patterns driven by polyrhythms. It supports up to 8 simultaneous sounds, stores up to 16 configurations per project, and includes a powerful sampler with envelopes, filters, crossfading, and an LFO.

This page highlights its features: delay, reverb, distortion, EQ FX, 100+ free samples, 13 sound collections, 13 example projects; AUv3 with MIDI and Audio, Audiobus/IAA, Ableton Link, MIDI in/out, and sample import via Files or WiFi. It is designed for music production and live performance.

User Growth & Download Statistics

By:
James Milton
Rating:
4.80
(674)
4 new ratings
Version:
2.5.2 Last updated: 2025-09-04
Version code:
877821268
Creation date:
2019-10-12
Compatible devices:
Size:
152.59MB
URLs:
Website ,Privacy policy
Full description:
See detailed description
Source:
Apple Apps Store
Data ingested on:
2026-06-05
Compare stats and ranking:

Ranking

Contact the developer

Chrome-Stats does not own this Apple app. Please use these information below to contact the Apple app developer.
Developed by:
James Milton
Apple Apps Store
https://apps.apple.com/us/app/poly-2/id1477029326
Website:
http://james-milton.com

User Reviews

Poly 2 is a creative, unique sequencer with a beautiful UI and powerful sequencing/sampling that suits ambient and experimental music. It shines in polyrhythms and sound design, with strong MIDI support. Common concerns focus on stability and ongoing development, plus a learning curve to master the interface. Overall, it's highly valued for its artistry, with opportunities to improve reliability and onboarding.
Pros
  • Extremely creative and unique tool that invites experimentation in ambient and experimental music.
  • Beautiful, minimalist yet powerful touch UI that enhances the workflow and visuals.
  • Robust sequencing and sampling features with strong MIDI support, enabling complex patterns and textures.
  • Excellent for ambient/soundscape work and polyrhythmic experimentation; great for sound design.
Cons
  • Stability and ongoing development concerns (occasional crashes and questions about continued support).
  • Learning curve / interface complexity (users note needing time to learn navigation and customize workflows).
Recent reviews
Rediscovered, again. And, again, I grow and Poly 2 grows with me! Every time I think I’ve come to a limitation of Poly 2, it turns out that it was really mine. lol Right now I’m listening to one of the moody’ish ambient music loops I’e ever heard. ‘Swollen Pads’. I’ve made 6 variations of their original. So much fun on an iPhone 12 on iOS 17.6 and not a single problem and the ‘smartest’ iPhone music app ever! It’s as if I had given them both a features list as well as the perfect iPhone user interface, documentation, and sound quality. Right here in the ‘palm’ of my hand, watching the World translating it into sound.
by Er*****, 2026-02-19

I recently returned to the Poly 2 sequencer and it still stands out as a unique, creative tool. It’s a really fun app to explore. Customization took a little time to figure out, but I’m very happy with the overall design and development. One issue -which after 5+ years still hasn’t been addressed- is the lack of sustain/voice ring-out when the transport is stopped. When playback is stopped—whether through the internal transport or an external hardware MIDI sequencer—the project’s voices do not sustain or ring out. I couldn’t find any updated preference settings to address this. Taking into consideration delay and reverb settings applied for each track, I would expect the voices from each of the eight tracks to sustain naturally when stopped or paused. To be candid, I had totally forgotten about this until I came back to the app. A limited workaround is to switch to an empty pattern, which lets the active patterns ring out. However, this is restrictive since one of the 16 pattern slots must be allocated for this purpose. Even then, it doesn’t fully solve the issue: if the transport is stopped mid-sustain, the entire project still cuts off instead of letting the tails fade naturally. You have to wait until all voices finish ringing out before stopping. This is worth noting for live performance or recording, unless you’re employing an alternative DSP option to compensate. Lastly, as an alternative workaround that retains use of all 16 patterns, you could modify the patterns in real time by changing their playback length values to something other than INF in order to close out the set. It feels a bit counterintuitive, but it’s another option. Just wanted to pass this along. It’s not a dealbreaker for me—I can now address it with an analog pedal or by syncing another FX app—but I wonder if the absence of this feature has impacted the app’s ability to attract or retain users. I realize it may be too late to submit this as a feature request, but overall, this is still a great, unique app and a real joy to work with. Well done, James! I still get a lot out of this app.
by Ja*****, 2025-09-21

This is a great app. I never do reviews, but this is a lovely gem of software art. It opens up a completely novel and creative way of making music. Beautiful.
by da*****, 2025-04-30
View all user reviews ›

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