# Archaos Infinita 3

> Music application for interpreting "ARCHAOS INFINITA III" by Ph. Schoeller

Canonical page: [https://chrome-stats.com/d/com.ArchInf3](https://chrome-stats.com/d/com.ArchInf3)

## Overview

- **ID:** `com.ArchInf3`
- **Platform:** Android
- **Type:** Android app
- **Status:** Removed
- **Publisher:** GRAME - Centre National de Création Musicale
- **Category:** GAME\_MUSIC
- **Downloads:** 184
- **Version:** 1.0
- **Last updated:** 2018-08-29
- **First published:** 2018-08-29
- **Data as of:** 2025-02-05
- **Store listing:** [Google Play Store](https://play.google.com/store/apps/details?id=com.ArchInf3)
- **Website:** [http://www.grame.fr](http://www.grame.fr/)
- **Privacy policy:** [https://faust.grame.fr/Smartphone-Privacy-Policy/](https://faust.grame.fr/Smartphone-Privacy-Policy/)

## Description

Philippe Schoeller<br><br>&quot;ARCHAOS INFINITA III&quot;<br><br>for 12 directed drums,<br> &amp; Electronics with IPhones / Smartphones,<br> played and spatialised by the public.<br><br>duration: 8 - 9 min.<br><br>Continuing the cycle &quot;Archaos Infinita, I and II&quot;, for 12 directed percussions,<br>this third score was written for the 12 living musicians of the Paris Percussion Group, allied<br>to a score composed of materials intended to be heard<br>on loudspeakers.<br><br>Created on September 21, 2018, on the occasion of the opening<br>from &quot;La Scala&quot;, in Paris. P.P.G. is directed by Julien Leroy.<br><br>Each and everyone of the public triggers the electronic parts from his smartphone.<br>It&#39;s the conductor who gives the starting points.<br>The nature of electronic music opens space and distorts time.<br>One of the conceptions of electronic matter was to succeed in constructing a<br>certain &quot;acoustic refinement&quot;: the one inherent<br>to the very nature of the broadcasting instrument: a simple smartphone.<br>Lightweight. Discreet. Even though usually we have to turn them off in concert, here,<br>it is absolutely necessary to light them!<br><br>This defect thus tries to become quality. Because distribution and distribution<br>space, thin and flexible, smartphones, as well as cascades of triggers<br>- by each and every one of the public - sound sources, open<br>the frontal perception of scenes with a multidimensional radiation.<br><br>Archaic, essential, primal, fundamental nature of hearing: space and texture.<br> The infinity of heaven and the nobility of the Earth.<br><br>I would like to thank Christophe Lebreton, from Grame, for<br>his availability, his competence and his kindness, lights by<br>which he offers us the possible to hear<br>this new work that combines the gesture of the musician, infinite of organic beauty<br>subtle and invisible theater of technology; this world<br>capricious because paradoxically archaic.<br><br><br>Ph. S. Paris, August 27, 2018

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Source: [Chrome-Stats](https://chrome-stats.com/d/com.ArchInf3)
